Beyond Salsa Piano is a history and anthology of the role of the piano in the Cuban rhythm section – from its first appearance to the present. In a broader sense, it’s a study of the tumbao – the art of creating music from layers of repeating rhythmic and melodic phrases. Whether these syncopated figures are called tumbaos, guajeos, montunos, riffs or vamps, this Afro-Cuban concept lies at the heart of nearly every popular music genre from salsa to rock , funk, R&B, hiphop and jazz.

While presented as a set of method books, the series doubles as a history course and record collecting guide for listeners, dancers, and players of instruments other than the piano.

Perhaps the most important goal of the series is to provide a comprehensive understanding of how tumbaos are constructed, their central role in the texture of Latin music of all eras, and the endless possibilities they provide for creative composing and arranging.
Spacer

Sones Jarochos from Veracruz

Artist:   Music of Mexico

Style Released Album Tracks Charts
Son Jarocho 2003 21 0
Buy_now

$9.99

© 2003 Smithsonian Folkways Recordings. All rights reserved.
Audio album download includes album tracks, liner notes and cover art.
All audio tracks in MP3-VBR format. About LPM album downloads.
Spacer
# Name Play Time Info
01  La Bamba
Alternative text
3:10 con José Guitiérrez Ramón
02  Siquisiri
Alternative text
3:53 y Los Hermanos Ochoa
03  Colas
Alternative text
3:26 yFelipe y Marcos Ochoa
04  La Morena
Alternative text
3:01 translates to: the dark woman
05  El Jarabe Loco
Alternative text
3:18 translates to: the crazy juice
06  El Gavilancito
Alternative text
2:18 translantes to: the little hawk
07  El Cascabel
Alternative text
3:29 translates to: the little bell
08  Huapanguerito
Alternative text
2:36 el Trio Jarocho Chalchihuecan
09  La Guacamaya
Alternative text
4:04 poor little guacamaya bird singing
10  El Zapateado
Alternative text
3:28 from the "zapato"(shoe)
11  La Bruja
Alternative text
2:45 translates to: the witch
12  El Ahualulco
Alternative text
4:10 dancing the jarabe tapatío
13  Tilingo Lingo
Alternative text
2:49 a very famous son
14  Canelo
Alternative text
3:01 chinita is a little chinese woman
15  El Coco
Alternative text
1:59 translates to: the coconut
16  El Pajaro Cu
Alternative text
3:41 translates to: the coo bird
17  Balaju
Alternative text
3:22 he went off to war and didn't want to take me
18  Butaquito
Alternative text
4:11 a small chair used to sit while courting
19  Cupido
Alternative text
3:01 song about Cupid's fate
20  Maria Chuchena
Alternative text
4:02 she was seated in a ravine cutting lillies
21  Pajaro Carpintero
Alternative text
2:24 translates to: the woodpecker
Spacer
Instruments and rhythms from son jarocho have been used by rock groups such as Café Tacuba, Quetzal, 22 Pesos, Ozomatli, and Zack de la Rocha. East L.A. rockers Los Lobos have also recorded in the Jarocho genre. Related genres are: Son Huasteco, Huapango, Son Jaliscience, Son Chiapaneco and Son. Well-known artists playing the genre are: Mono Blanco, Siquisirí, Tlen Huicani, Chuchumbé, Chucumite, Los Cojolites, Conjunto Jardín and Son de Madera. Includes full 19 page booklet.

Son Jarocho is a traditional musical style of Veracruz, a Mexican state along the Gulf of Mexico. Son Jarocho is a traditional musical style of Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz. It represents a fusion of indigenous (primarily Huastecan), Spanish, some confues this style of music with African styles wich is not a proven fact because there are no what they call timbales but is a known musical element, reflecting the population which evolved in the region from Spanish colonial times. Lyrics include humorous verses and subjects such as love, nature, sailors, and cattle breeding that still reflect life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and some have even been borrowed from famous works by writers of the Spanish "Siglo de Oro". It is usually performed by an ensemble of musicians and instruments which collectively are termed a "conjunto jarocho".

The instruments most commonly associated with Son Jarocho are the jarana jarocha, a small guitar-like instrument used to provide a harmonic base, with strings arranged in a variety of configurations; the requinto jarocho, another small guitar-like instrument plucked with a long pick traditionally made from cow-horn, usually tuned to a higher pitch and with a four or five thick nylon strings; the harp, and sometimes a minor complement of percussion instruments such as pandero, cajón and quijada (an instrument made of a donkey or horse jawbone). Son Jarocho is often played only on jaranas and sung in a style in which several singers exchange improvised verses called décimas, often with humorous or offensive content. The most widely known son jarocho is "La Bamba", which has been popularized through the version by Ritchie Valens and the American movie of the same name. -- source: wikipedia