Beyond Salsa Piano is a history and anthology of the role of the piano in the Cuban rhythm section – from its first appearance to the present. In a broader sense, it’s a study of the tumbao – the art of creating music from layers of repeating rhythmic and melodic phrases. Whether these syncopated figures are called tumbaos, guajeos, montunos, riffs or vamps, this Afro-Cuban concept lies at the heart of nearly every popular music genre from salsa to rock , funk, R&B, hiphop and jazz.

While presented as a set of method books, the series doubles as a history course and record collecting guide for listeners, dancers, and players of instruments other than the piano.

Perhaps the most important goal of the series is to provide a comprehensive understanding of how tumbaos are constructed, their central role in the texture of Latin music of all eras, and the endless possibilities they provide for creative composing and arranging.
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Tiempo Libre

Home Base Established Albums Charts PTracks
Miami (FL), United States 2001 2 0 0
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Album Name Preview Style Price
Lo Que Esperabas
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Timba $9.99 Buy_now
Arroz Con Mango
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Timba $9.99 Buy_now
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Grammy-nominated Tiempo Libre is one of Miami's first established timba bands.

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Tiempo Libre brings us new hope for timba in Miami, and the U.S. in general as we wait out the Bush freeze on musicians touring from Cuba. But the band shouldn't be thought of as a substitute for the real thing -- these are ENA-graduated musicians armed with the chops, creativity and energy to stand on their own in the world of timba. The band was started in 2001 by pianist/composer Jorge Gómez and percussionist Fernando Pina -- both played for Albita at the time, and were looking for a side project that would bring them more fulfillment musically. As suggested by the name "Tiempo Libre," this new project was initially something to do in their free time, when they weren't busy with gigs that pay the rent. Bandmates were quickly found among old ENA classmates also living in Miami, and a fruitful project was born, much in the spirit of the impromptu jamming that has contributed to great timba compositions over the years. The desire to perform to their full ability and bring modern Cuban music to the masses soon led them to transfer other gigs and projects to the backburner and pursue the development of Tiempo Libre full time. Key to this effort has been their manager Elizabeth Sobol, who managed famous classical musicians until hearing timba one night in a bar in Mexico -- like many of us who contribute to timba.com, life went in a new (and better) direction after that. With her attention turned to putting this band on the map, things are starting to happen.

Tiempo Libre's first major appearance was as the opener for Celia Cruz at the Ravinia Festival (Chicago) in 2002, where they so enthralled the crowd of 12,000 that they were invited back to open for Aretha Franklin the next year. Other successful U.S. tour stops have included famous NY Latin clubs like Nell's and La Belle Epoque, and a number of Jazz and Latin music festivals around the country. Internationally, they have won over audiences in Thailand, Malaysia, and Hong Kong, and continue to tour regularly in those countries. In Italy, they hope to gain a foothold among regularly touring timba bands from Cuba. And in Miami, well, we're still waiting for more regular appearances in a surprisingly un-supportive environment.

Each member of Tiempo Libre brings incredible energy to the stage. Lead vocalist Joaquín "El Kid" Díaz (NG La Banda, Manolín) is fantasitc in the spotlight. Those familiar with Cuba-based timba bands will notice the significantly smaller number of musicians in this group, made necessary by the economics of starting from scratch, and compensated for by incredibly able musicians who sing coro and hold down their complicated parts. Their repertoire also brings insight to the challenge of training the uninitiated to love timba while managing to satisfy those already accustomed. Newly refurbished old-school standards like "Bilongo" and "El Cuarto de Tula" reassure newbies and skeptics and introduce them to the aggressive energy and creativity they will learn to crave, while original compositions by musical director Gómez give timbageeks something to listen to. --review courtesy of www.TIMBA.com